Women laundering at the Jewel River of Chōfu
Details
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Title
Women laundering at the Jewel River of Chōfu
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Series
The Six Jewel Rivers
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Artist/maker
Kubo Shunman (1757 - 1820) (designer) -
Associated people
Fushimiya Zenroku (active 1740s - c. 1914) (publisher) -
Associated place
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Date
c. 1787 - 1788 -
Material and technique
woodblock, printed with water-based vegetable pigments
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Material index
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Technique index
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Object type
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Dimensions
mount 55.7 x 32.4 cm (height x width)
print 37.4 x 23.7 cm (height x width) -
No. of items
1
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Credit line
Presented by Mrs E. M. Allan and Mr and Mrs H. N. Spalding from the Herbert H. Jennings Collection, 1952.
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Museum location
Museum department
Eastern Art
Accession no.
EAX.4090.c
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Catalogue text
Kubo shunman was a pupil of Kitao Shigemasa (1739-1820) and produced relaxed and elegant colour prints influenced by Kiyonaga. He was particularly adept at the use of muted colour schemes (benigirai) in the time when the government passed sumptuary regulations during the Tenmei and Kansei periods (1781-1800) forbidding the use of bright colours. 'The six jewel river' is one of the finest works by Shunman. The six rivers are all in different areas of Japan but Shunman’s six rivers from the Mutamagawa series is shown here as a continuous image. The collection of the Ashmolean Museum lacks the fifth image, that of Ogi of Shiga.
This print is of Chōfu no Tamagawa (the Jewel River of Chōfu). A beauty with a male companion and a maid watches a peasant girl wash her linen in the river. In the far background, two women are performing a method of laundering to smooth the fabric by beating it (see [EAX.3954]) and another is drying the garments on the ground. This region was well known for its cotton fabrics.
Glossary of terms
vegetable pigments
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