Great bookcaseOn display
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Enormous, elaborate and highly decorated, the Great Bookcase was made to hold art books in the London office of William Burges (1827–81), the eminent Victorian architect and designer. Work on it began around 1859 and was completed by 1862, when it was included in the Medieval Court at the International Exhibition in London. Although the design was based on surviving medieval furniture, the bookcase remains a purely 19th-century creation.
Burges believed that, in addition to serving a practical purpose, furniture should also tell a story. Here the emphasis is on the painted scenes and decoration. Fourteen leading artists worked on the Great Bookcase: Edward Burne-Jones, John Anster Fitzgerald, Henry Holiday, Stacy Marks, Albert Moore, Thomas Morton, Edward Poynter, Dante Gabriel Rossetti, Charles Rossiter, Frederick Smallfield, Simeon Solomon, William Frederick Yeames, Frederick Weeks, Nathaniel Westlake and Burges himself.
The decoration is divided into Christian themes on the left side of the cabinet and pagan themes on the right side. The large number of artists who worked on the Great Bookcase was unprecedented. Although the paintings are of the highest quality, the cabinet-making evidently was not: the bookcase collapsed in 1878 and had to be substantially rebuilt. Despite acknowledging that the bookcase was ‘not acceptable to present day taste’, Kenneth Clark, then Keeper of the Western Art Department, purchased it for the Ashmolean in 1933.
Artist/makerWilliam Burges (1827 - 1881) (designer)John Anster Fitzgerald (1819 - 1906)Frederick Weekes (1833 - 1920)Henry Stacy Marks (1829 - 1898)Frederick Smallfield (1825 - 1915)Charles Rossiter (1827 - 1897)Thomas Pritchard Rossiter (1818 - 1871)Nathaniel Herbert John Westlake (1833 - 1921)Edward John Poynter, Sir (1836 - 1919)Henry Holiday (1839 - 1927)William Holman Hunt (1827 - 1910)Dante Gabriel Rossetti (1828 - 1882)William Frederick Yeames (1835 - 1918)Albert Joseph Moore (1841 - 1893)Thomas Morten (1836 - 1866)Simeon Solomon (1840 - 1905)Edward Coley Burne-Jones (1833 - 1898)
Date1859 - 1862
Material and technique
pine, carved, painted and gilded
Dimensions317.5 x 173.9 x 49.5 cm (height x width x depth)
No. of items
Museum locationThird floor | Gallery 66 | Pre-Raphaelites
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Penny, Nicholas, Catalogue of European Sculpture in the Ashmolean Museum: 1540 to the Present Day, 3 vols (Oxford: Clarendon Press, 1992), no. 78