Textile fragment with tiraz band
Details
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Title
Textile fragment with tiraz band
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Associated place
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Date
AD 908 - 932 (AH 295 - 320)
Fatimid Period (AD 909 - 1171) -
Material and technique
linen, glazed, and embroidered with red silk
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Material index
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Technique index
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Object type
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Dimensions
29.5 x 26.5 cm max. (length x width)
along length/width 22 / 22 threads/cm (thread count)
ground fabric 0.05 cm (thread diameter)
additional fibre, embroidery 0.05 cm (thread diameter) -
No. of items
1
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Credit line
Presented by Professor Percy Newberry, 1941.
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Museum location
Museum department
Eastern Art
Accession no.
EA1988.49
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Catalogue text
A tiraz fragment embroidered in red with an inscription that reads "'izz li 'abdallah Ja'far al-imam al-Muqtadir bil(lah)" (glory to the servant of God, Ja'far, the Imam, al-Muqtadir billah).
The original accession card gives Iran as the possible provenance and dates the textile to H 295-320/908/932 AD. Radiocarbon dating however had a later result, of 1025 +/- 40 AD as the medium date, and a calibrated result (95% certainty) of 1020-1210 AD.In: Ellis, Marianne, Embroideries and Samplers from Islamic Egypt (Oxford: Ashmolean Museum, in association with Greenville: Curious Works Press, 2001)
The inscription on this tiraz fragment reads “Glory to the servant of God, Ja'far, the Imam, Muqtadir bi'llah" who ruled from A.D. 908 to 932 but the radiocarbon dating is later, 1025±40. This flowing decorative style of writing with tall stems and horizontal tails is usually associated with Iraq or Iran. The calligraphy has been skilfully transformed into embroidery by using an unusual variation of chain stitch in which the needle is taken back through the loop of the previous stitch; the result is an accentuated line formed by split stitches along one side of the chain stitch. Embroideries worked in this manner were found in tombs in Palmyra; they probably came from China (or possibly Central Asia) in the 2nd century A.D. In both instances, the reason for using this modified version of chain stitch was to increase the linear quality of the design.
In: Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum
Further reading
Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum, vol. iii, vol. i
Ellis, Marianne, Embroideries and Samplers from Islamic Egypt (Oxford: Ashmolean Museum, in association with Greenville: Curious Works Press, 2001), no. 2 on p. 13, pp. 7-8, illus. p. 13
Reference URL
