St Jerome in his study

Albrecht Dürer (1471–1528) was born in Nuremberg. He emerged as a brilliant painter, draftsman and writer, though his greatest impact was in the medium of printmaking, elevating it to the level of an independent art form. In 1514–15 Dürer was at the height of his powers, working for the Holy Roman Emperor, Maximilian I, and creating his unsurpassed so-called ‘Master Engravings’, including this one, St Jerome in his Study.

Jerome was a 5th-century priest best known for his translation of the Bible into Latin and one of the four Church Fathers. His scholarly activities led to him becoming in the early 16th century the patron saint of humanists, who were studying the original Greek and Hebrew texts of the Bible. Erasmus of Rotterdam was one such scholar, publishing his nine-volume edition of Jerome’s works in 1519. Dürer had close friends and patrons among this humanist network and by presenting Jerome in his study, rather than in his other popular guise as a penitent hermit in the wilderness, he sought to capitalise on the learned associations.

The saint is shown with his traditional attributes: a crucifix, a skull symbolising mortality, the lion from whose paw he had removed a thorn and a cardinal’s hat denoting his service to the Church. The composition is unusual in relegating Jerome to the back of the space, but this only serves to emphasise his absolute concentration on his work, oblivious to the furnishings of his study that Dürer has realised in astonishing detail.


  • Title

    St Jerome in his study

  • Artist/maker

    Albrecht Dürer (1471 - 1528) (printmaker)
  • Associated place

    Nuremberg (probable) (probable place of creation)
  • Date

  • Material and technique

    engraving on laid paper

  • Object type

  • Dimensions

    sheet 24.8 x 18.7 cm (height x width)
    plate 24.3 x 18.6 cm (height x width)
  • No. of items


  • Credit line

    Bequeathed by G.O. Farrer through the Art Fund, 1946.

  • Museum location

  • Museum department

    Western Art

  • Accession no.


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Further reading

Meder, Josef, Dürer-Katalog, ein Handbuch über Albrecht Dürers Stiche, Radierungen, Holzschnitte, deren Zustände, Ausgaben und Wasserzeichen (Wien: Gilhofer & Ranschburg, 1932), 59

Bartsch, Adam von, The Illustrated Bartsch, Walter L. Strauss ed. (New York: Abaris Books, 1978-)

Schoch, Rainer, Mende, Matthias, and Scherbaum, Anna, Albrecht Dürer: das druckgraphische Werk, 3 (Munich/London/New York: Prestel, 2001-2004), 70

Reference URL

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