Waterfall in a High Mountain

Details

  • Catalogue text

    The only recorded artist named Gu Tao was a pupil of the monk painter Dao Cun, who was in turn a follower of Zha Shibiao (q.v.) and by whom a landscape album dated 1709 survives in Japan. However, the name is almost certainly a pseudonym, and may have been used by a later painter. The figure in this painting compares closely with those in the landscapes of Fu Baoshi; given Fu's veneration of the Qing Individualist painter Shi Tao (Dao Ji), and the fact that his assumed name Baoshi means 'embracing Shi (Tao)', the possibility that this is a work by Fu Baoshi should not be ruled out. The seal of Ni Tian (1855-1919) (q.v.) remains anomalous.

    In: Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000)

Further reading

Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 31 on p. 55, illus. p. 55 fig. 31

Reference URL

?
q-seffron-icon q-white-icon pluse-seffron-icon pluse-white-icon minus-seffron-icon minus-white-icon close-seffron-icon close-white-icon close-black-icon prv-gry-arrow prv-arrow print-seffron-icon print-black-icon next-arrow next-gry-arrow next-white-arrow up-arrow-black up-arrow black-up-arrow black-down-arrow white-up-arrow white-down-arrow hr-list-gry-icon hr-list-white-icon vr-list-gry-icon vr-list-white-icon eye-icon zoomin-icon zoomout-icon fullview-icon contact-black-icon contact-seffron-icon basket-seffron-icon basket-black-icon share-black-icon share-seffron-icon go-arrow search-white-icon