Talismanic plaque, or tokcha, with confronted horsesOn display
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Talismanic plaque, or tokcha, with confronted horses
Date8th - 9th century AD (AD 701 - 900)
Material and technique
Material indexprocessed material metal alloy copper alloy brass
Dimensions0.3 cm (height)
8.2 cm (diameter)
No. of items
Museum locationFirst floor | Gallery 32 | India from AD 600
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This appears to be a tokcha used as a belt buckle or as a medallion in a set of horse trappings. The horse heads are confronted. Their manes are rendered as diagonal incised lines within a rounded edge. This marks the transition from the raised design to the narrow flat rim, which has two drilled holes and a carved slot through which strings or leather bands might pass. The horse heads are shown in three-quarter view, with both eyes carved. The bodies of the horses are only suggested as far as the base of the neck, at which point small florets and stems form interlocking curves. At the centre appears a rampant lion with a full mane; the use of a strap over the lion's head has worn away much of the mane, which is now cracked. The tail is long and full, with tufts rather like a yak tail. The lion extends his legs over the vine tendrils which link four distinct blossoms, two on either side, all emerging from the carved slot at the centre of the bottom edge of the curved rim.
The importance of the horse in pre-Buddhist Tibetan religious customs is well known . Notably, the Tibetan Royal Chronicle describes horse sacrifice as part of the burial rites for the most important ministers, which has been confirmed by recent archaeology . The practice of these burial rituals decreased as Buddhism progressively took root in Tibet. During the same period, the lion lost its symbolic association with the might of the Tibetan sovereign, as Tibetan liturgies and artists progressively emphasized lions in a purely Buddhist context as the emblem of Sakyamuni and Vairocana . The horse as a Buddhist symbol, the precious steed who represents the mobility and speed of the cakravartin, is always represented with jewels on the body or head . These factors suggest a date for this tokcha prior to the second diffusion of Buddhism in Tibet which began in the mid-tenth century.
1 See Heller, 'Archeological Artefacts from the Tibetan Empire in Central Asia', for discussion of the role of the horse and horse-shaped artefacts in ancient Tibetan burial practices.
2 Burial rituals including horse sacrifice are described in c. ninth-century Tibetan manuscripts from Dunhuang studied by Haarh, The Yar-lun Dynasty; Lalou, 'Rituel bon-po des funerailles royales'; and Stein, 'Un document ancien relatif aux rites funeraires des bon-po tibetains'.
3 Snellgrove, The Image of the Buddha, pls. 257-9.
4 Dagyab, Buddhist Symbols, p. 77.
In: Heller, Amy, Early Himalayan Art (Oxford: Ashmolean Museum, 2008)
Heller, Amy, Early Himalayan Art (Oxford: Ashmolean Museum, 2008), no. 28 on p. 98, illus. p. 99