Body armour in five parts

On display

Material evidence of Islamic arms and armour only becomes significant from the 16th century onwards, when cuirasses of metal plates progressively replaced lamellar armour and coats of mail documented in the previous centuries. During the 16th century, chahar a’ineh (literally ‘four mirrors’) cuirasses were introduced in Iran. Placed on top of a mail shirt, these consisted of four curved plates, two with recesses for the arms, which were buckled around the person’s body with leather straps.

Full sets of armour only rarely survive, making the one presented here an exceptional find. The central field of each plaque is decorated with medallions inscribed with Qur’anic verses, surrounded by a thick foliage inhabited by birds including hawks attacking herons. Additional Qur’anic passages from the ayat al-kursi or ‘throne verse’ (Qur’an, 2:255) frame the central field in a continuous frieze that still carries traces of the original gold inlay.

The armour is signed by Luft ‘Ali, a renowned metalworker who was active under the reign of Nadir Shah Afshar (ruled 1736-1747). The other five pieces associated with Luft ‘Ali are in other prominent international collections including the Topkapi Saray Museum in Istanbul, the Victoria and Albert Museum and Wallace Collection in London, and the Museo Poldi-Pezzoli in Milan.

Details

  • Title

    Body armour in five parts

  • Artist/maker

    Luft ‘Ali (active mid-18th century) (armourer)
  • Associated place

    Iran (place of creation)
  • Date

    1737 - 1738
  • Material and technique

    steel, incised, and inlaid with gold; leather belt strap

  • Dimensions

    largest breastplate 27 x 21.5 cm (height x width)
    smallest breastplate 20.7 x 18 cm (height x width)
    belt 15 x 113 cm irregular (height x width)
  • No. of items

    5

  • Credit line

    Purchased, 1997.

  • Museum location

    refer to individual records

  • Museum department

    Eastern Art

  • Accession no.

    EA1997.176

  • Our online collection is being continually updated. Find out more

Further reading

Allan, James, and Brian Gilmour, Persian Steel: The Tanavoli Collection, Oxford Studies in Islamic Art, 15 (Oxford: Oxford University Press, 2000), p. 135, figs 14 a & b

Reference URL

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