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    The famed maple tree of Mama was already dead when Hiroshige made this striking design in 1857. Tekona was a beautiful girl whose tragic suicide was the subject of a poem in the eight-century anthology the Man’yoshu.

    In: Impey, Oliver, Hiroshige's Views of Tokyo: A Selection from the Woodblock-Print Series ‘One Hundred Views of Famous Places in Edo’ by Ando Hiroshige, 1797-1858 (Oxford: Ashmolean Museum, 1993)

Further reading

Impey, Oliver, Hiroshige's Views of Tokyo: A Selection from the Woodblock-Print Series ‘One Hundred Views of Famous Places in Edo’ by Ando Hiroshige, 1797-1858 (Oxford: Ashmolean Museum, 1993), no. 16 on p. 11, illus. p. 27 pl. 16

Pollard, Clare, Mitsuko Ito Watanabe, Landscape, Cityscape: Hiroshige Woodblock Prints in the Ashmolean Museum (Oxford: Ashmolean Museum, 2014), no. 33, illus. p. 113

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