Dish with a compsite head of penisesOn display
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The surface of this extraordinary piece of maiolica – a form of tin-glazed earthenware – is skillfully painted with a head composed of interlaced penises, one of them sporting a ring. On the banderole (long scroll) are the words: ‘OGNI HOMO ME GUARDA COME FOSSE UNA TESTA DE CAZI’ (‘every man looks at me as I were a head of dicks’); on the reverse is written '1536 El breve dentro voi legerite Come I guide se intender el vorite’ (‘If you want to understand the meaning, you will be able to read the text like the Jews do’) referring to the fact that the inscription on the scroll is written right to left, like Hebrew. The reverse also bears the painter’s mark ‘FR’ with a pair of scales.
The maiolica painter Francesco ‘Urbini’ was apparently trained in Urbino, but worked in Gubbio and Deruta in the 1530s. The composition is a parody of maiolica dishes bearing portrait heads of named girls, an established maiolica genre sometimes made for young men to give to the objects of their affections. It is a Renaissance joke, reflecting both the sexual explicitness found in the writing of Pietro Aretino and others, and the artistic ideas and interests of Leonardo da Vinci. Art of this type of subject matter has tended not to survive. The bowl prefigures the heads composed of vegetables and other objects which the painter Giuseppe Arcimboldo was to make popular at the court of Rudolf II in Prague from 1562 onwards.
Dish with a compsite head of penises
Artist/makerprobably Francesco Urbini (active 1530 - 1536)
Material and technique
earthenware, tin-glazed (maiolica), polychrome
Dimensions23.2 cm (diameter)
6.1 cm (height)
No. of items
Purchased with the assistance of the Art Fund, the Resource/V&A Purchase Grant Fund, France, Madan, and Miller Funds, and numerous private donors, 2003.
Museum locationSecond floor | Gallery 56 | Arts of the Renaissance
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Glossary of terms
Ceramic material made of clay which is fired to a temperature of c.1000-1200⁰c. The resulting ceramic is non-vitreous and varies in colour from dark red to yellow.
Wilson, Timothy, Italian Maiolica and Europe: Medieval and Later Italian Pottery in the Ashmolean Museum (Oxford/Ashmolean Museum, 2017), pp. 157-160 no. 62
Thornton, Dora, ‘The Burlington Magazine’, (2018), illus. p. 255